Green politics, philosophy, history, paganism and a lot of self righteous grandstanding.

Sunday, 27 November 2011

Global Warming Report Agrees With Climate Change Denier


Another month another report on climate change, this time by the Berkely Earth group. More famous for anti-war protests in the sixties, Berkley is also the home to a university apparently.

The Berkley Earth Surface Temperature Report (BEST) discovered that the earth is indeed warming and that this is not a quirk of poor quality or badly placed weather stations, nor of the encroachment of cities into the vicinity of the experts thermometers.

Interestingly this tallies with the results of climate change denier Anthony Watts, who launched his surfacestation.org project four years ago. His tireless volunteers toured the country identifying badly cited weather stations. This pioneering study then allowed the National Oceanographic and Atmospheric Administration to recalibrate the surface temperature record of the USA, chopping out all the dodgy weather stations. Their result was that this led to a slight increase in the recorded warming.

You'd expect Mr Watts to be delighted that a major research group has confirmed his findings, but rather inexplicably his opinion of BEST is that it "the study’s methodology was flawed because it examined data over a 60-year period instead of the 30-year-one that was the basis for his research and some other peer-reviewed studies. He also noted that the report had not yet been peer-reviewed and cited spelling errors as proof of sloppiness." Spelling mistakes by scientists? Unhaerd off!

The report also coincided with a second leak of hacked emails from East Anglia's Climate Research Unit. The point of the leak appeared to be to show that climate scientists hid data that didn't agree with their pre-judged opinion of the science.

This is a view endorsed by Mr Watts, a gentleman who would clearly never do such a thing himself.

Friday, 18 November 2011

Top 5 Films About Trade Unions

The result from UNITE has come in and so it looks like we're all strike for the biggest strike since the seventies. So to mark the occasion I've decided to look at how cinema has dealt with trade unions. Once again there will be no films from the last fifteen years as I haven't watched any films in the last fifteen years.

Films are funded by benevolent Capitalists to provide entertainment for us proles, and so perhaps it's not surprising that some of the greatest roles in the movies have been trade unionists, such as Martin Sheen as Carl Fox in Wall Street, Raúl Juliá as Chico Mendes in The Burning Season and.....errr.....well a few in Ken Loach films obviously and ..... erm.

Okay, lets try again.

Films are funded by evil Capitalists in order to extract as much money as possible from gullible proles, and so it's not surprising that most of the portrayals of trade unionists are negative.

So here we go with the best of the worst.

5. Carry On at Your Convenience (1971)

Trade unions were alluded to regularly in the Carry On franchise, such as in Carry On Cleo when the eunuchs are reported to be striking over of loss of assets.(Groan)

This film finds the team appropriately located in a toilet factory where the local union boss is a buffoon who calls strikes so he can watch football matches, and whose gullible members nearly bankrupt the firm by following him out. Given the someone plebian nature of the Carry On audience this was a bit of an own goal and the film was a flop.

It's not exactly awash with jokes, unless you count the first screen appearance of the mighty Morris Marina car, a vehicle whose history is so inextricably linked with union intransigence that if this was Product Placement it was a grave mistake.

4. On the Waterfront (1954)

It could have been a contender.

A film about why it's good to be a police informer by a Director who snitched on his colleagues to the House Committee on Un-American Activities.

The Longshoremen trade unionists in the film are shown to be a violent, corrupt and, thanks to some dubious casting, posh.

3. I'm All Right Jack (1959)

Newly demobbed soldier Stanley Windrush (Ian Carmichael) takes a job in his uncle's factory where, being upper class, he shows how lazy the other workers are by doing twice as much work as anyone else.

This prompts trade union leader Fred Kite (Peter Sellars) to call an all out strike. When Kite evicts Windrush from his house for being a scab Kite's wife leaves too, leaving this working class hero unable to feed or cloth himself.

So a real hatchet job on the workers then, redeemed only by being a very funny and not entirely unrealistic portrayal of industrial relations at the time.

2. The Life of Brian (1979)

In the great pantheon of Trade Union leaders there must surely be a place for Reg (John Cleese).

Committed to Jewish freedom, he is broad minded enough to acknowledge the achievements of the Roman oppressors. Tragically unable to join the suicide mission to kidnap Pilate's wife due to a bad back, he fearlessly leads the Judean People's Front in their war with the People's Front of Judea whilst campaigning for his friend Stan's right to have a baby. A dedicate democrat he refuses to be drawn into action before due process has been followed, even though this costs the life of comrade Brian.

A real hero.

1. The Man in the White Suit (1951)


No, not Martin Bell, but Alec Guiness as the man who invents an everlasting fabric and so brings the wrath of both trade unions and management down on his head.

Eco-warriors have long suspected that the Holy Grails of sustainable technology; renewable energy, cars that run on water, politicians with integrity,  etc, have all been suppressed by those with an interest in the status quo and this is the film that fuels that paranoia.

The deliciously black King Hearts and Coronets prevents this becoming my favorite Ealing Comedy, but it's pretty damn good. Guiness is now mainly remembered as the older version of Ewan MacGregor in Star Wars - a film he hated - but his Ealing days were his best.

They really don't make them like they used to.

Monday, 7 November 2011

Top 5 Unlikely Jobs for a Movie Hero

The anti-hero has a long cinema history, but surprising thing is how conventional most of them are. Gangsters, with their family values, their business-before-morality ethos and casual attitude to violence represent the modern Western world view far better than most conventional heroes whilst Rambo, whilst something of an outsider in his first film appearance, soon turned into such a caricature of America military intervention, even helping the Taliban on his third appearance, that he was beyond satire.

Robert de Niro playing a plumber in Brazil is more the sort of thing I'm thinking of, although he wasn't the hero so can't count. Neither does it count if the hero's job has no relevance to the plot, so serial killer accountants, yuppies and the rest can't be included.

So having fixed the rules to ensure the films I like are in it, here is my Top Five.

5. James Mason as an IRA man: Odd Man Out (1947)

The IRA had turned up in films since, such as in John Ford's The Quiet Man and David Lean's Ryan's Daughter.

But whilst the Innisfree IRA cell appears to do little but drink Guinness (not an unrealistic portrayal I believe) and the Kirrary lot do appear to be actually fighting for Irish independence, James Mason's character is neither a harmless drunk nor an effective freedom fighter. Instead he is wounded whilst engaged in nothing more heroic or patriotic than a fairly petty robbery.

This then starts a journey through a strange demi-monde that is clearly a loosely disguised Belfast. Director Carol Read is today better remembered for The Third Man, but Odd Man Out is arguably as good, although its main competition would be a James Cagney gangster film. Perhaps Cagney does baddies better than Mason, but it's still a cracking performance.

4. Boris Karloff as a Monster: Frankenstein (1931)


Those who know the literary Frankenstein know the Monster as a bright chap with a lot to say for himself, but movie versions have always been more physical and less cerebral and Karloff's Monster is definitely in this tradition.

I suppose I'm pushing it to claim being a monster is actually a job, but if it was Karloff's Monster could probably expect his P45 in the post as he soon turns out to be the most human character in the film.

3. Jean Reno as a Hit Man: Léon (1994)

Having disallowed gangsters for being evil Capitalists, and so not antiheroes at all, I'm going to make an exception for hit men, especially Léon as he doesn't even appear to be making any money out of the job.

Leaving aside questions about his relationship with an under age Natalie Portman - and the pot plant - Léon appears to be a regular guy from out of town who has found a rung at the bottom of the social ladder doing jobs the local won't, in this case killing people.

He lives in poor housing, the police pick on him and he has no friends. So if you pretend he's a migrant worker and not a hired murderer what you have is social commentary. Plus a lot of dead bodies.

2. Gregory Peck as a Lawyer: To Kill A Mocking Bird (1962)

Hollywood likes courtroom drama, but it's rather indifferent about lawyers.

We're not really too bothered about whether or not Sam Bowden gets the chop in Cape Fear, whilst Erin Brockovich got a film made about her because she wasn't a real lawyer. Otherwise the hero is usually in the dock or the jury.

Atticus Finch though is different. Noble, moral, courageous, and a paragon of old style values he chooses to work within the system to reform it. As a result his client is fitted up for a crime he didn't commit and gets killed, which perhaps tells us something about trying to oppose institutionally racist organisations from the inside.

1. Jimmy Stewart as a Banker: It's A Wonderful Life (1946)

Yes a banker.

True, it was a long time ago, before the wide boys in braces arrived on Wall Street, but it was only fifteen years after the Great Crash.

It's hard to imagine a remake now. Not only is there no-one of the calibre of Jimmy Stewart to play the lead, but I doubt anyone could imagine a banker being saved from committing suicide by a Guardian Angle showing what life would have been like without him.

I mean, what would he show? The out of work cocaine dealers and Porsche salesmen? The lower property prices? The pensioners enjoying their annuities? It just wouldn't work.

Perhaps the remake then could feature the Guardian Angel as the antihero? A sort of Guardian Demon who goes around persuading well adjusted and happy stock brokers to leap off bridges?

Hmmmmmm.

Mr Spielberg? I have an idea for you.......

Monday, 31 October 2011

My Top 5 Horror Films

I suppose I don't really like horror films.

I certainly don't like slasher movies, which rules out 99% of what usually goes into lists of best horror movies.

I also think that it's impossible for any sane adult to actually be scared in a cinema, unless you're watching Sacha Baron Cohen, but then you're scared for him.

However I admit it's possible to pretend to be frightened if you fancy the person you've gone with - although my dates have never been very impressed with this sort of behaviour.

So here's a rather eclectic mix of films that are technically 'horror' but on the whole wouldn't frighten a neurotic toddler.

Number 5: The Haunting (1963)

Four people spend the night in a haunted house and very little happens.

It may be a moot point when 'subtle' turns into 'boring', but for my money the original version of The Haunting works. It's a haunted house film by the books, but by not over-egging the pudding you do get mounting tension and something worth thinking about.

4. Night of the Demon (1957)

Okay, so who else knew this film was sampled on Kate Bush's The Hounds of Love?

The film suffered a bit in the making, including the insertion of an actual demon over the objections of the writer. However what emerged is still a pretty good and atmospheric tale of black magic - or self delusion.

The main interest though is Niall MacGinnis playing a character that is clearly based on Alistair Crowley. The moral of the story: don't mess with Ritual Magicians.

3. The Call of Cthulhu (2005)

If you've never seen this, please try and track it down.

Basically the H.P.Lovecraft society decided, on a minuscule budget, to make his classic 1928 short story as if it was a contemporary silent movie.

The result is a little strange, but very effective. The effects are cheap, but the design work is good and the lost city of Ry'leh is an Expressionist delight whilst limitations in the acting department are disguised by the format. You actually believe you are watching an eighty year old film.

2. The Wicker Man (1973)

Most pagans regard this film as a documentary with a happy ending, and we'd all move to Summerisle tomorrow even without the service offered by the landlords daughter.

This is Hammer House of Horror's finest moment and it's a British as a wet Sunday afternoon.

Apart from Christopher Lee and Edward Woodward acting their socks off, Paul Giovanni's sound track is the highlight.

1. Bride of Frankenstein (1935)

More Gothic than a weekend in Whitby, Bride is James Whale's masterpiece, the best of a run of films in the thirties that include Bela Lugosi's Dracula and Boris Karloff's Frankenstein. Karloff was always the better actor, and Frankenstein's Monster the better villain.

The two were to team up for the almost as impressive Expressionist sequel, Son of Frankenstein, but Bride is the better film by a whisker.

It's camp as can be, but visually it is an absolute delight.

You can interpret it in as many ways as you like; Christian analogy, gay metaphor - or just a lot of fun.

Saturday, 29 October 2011

New Sci-Fi Blog

I've decided to create a new blog for all my Sci-Fi stuff.

It can be found here

Saturday, 15 October 2011

Liam has shot our fox


Let me be quite clear, I wish Liam Fox hadn't gone...... because it was just starting to get interesting.

Really interesting.

Not that I mind the demise of a far right minister, but by jumping before he was pushed we may never get to the bottom of what looks like a scandal designed by Central Casting.

Lets also be clear about why he went. It wasn't because he had been helping an old chum feather his nest, nor was it because he's secretly gay. Instead it seems Fox was the conduit for the loony tunes US Neoconservative movement into British politics.

The Neocons, the force behind George W Bush and the invasion of Iraq, have largely morphed into the Tea Party; a wonderfully named movement that to US patriots suggests heroic men tipping horrid English herbs into Boston harbour, but to the rest of the world summons up images of Mad Hatters and March Hares.

Behind both though stands money, lots and lots of money. That's why this is more than about bungs to flat mates - Werrity is very well paid by his US backers and doesn't need any favours from HMG.

Fox's charity, The Atlantic Bridge, was wound up on 30 September, just before the scandal broke, which is a bit of a miracle of timing. By going into voluntary liquidation it has also avoided having to answer any awkward questions from the Charity Commission.

With Thatcher as its patron and Gove, Hague, Osborne and Grayling on the board Atlantic Bridge was no more of a charity than the Monday Club. But what's perhaps more interesting are its friends on the other side of the pond.

It was funded by Lehman Brothers for one thing, and Karl Rove and many other less charismatic US right wingers, pop up to speak to it, receive awards from it or give it money.

Atlantic Bridge also worked closely with the American Legislative Exchange Council, a Koch Industries funded Climate Change denial front group.

I could go on, but I think the get the point.

The question is though, what were they after?

Money obviously, but was this just for personal gain, or where they after more serious political change, the sort of paradigm shift that would open up Britain to big US corporations. Convenient was it not that Fox, formerly Shadow Health Minister, was hanging around with the sort of Neocons who regard the NHS as the spawn of Satan just at the Tories introduce legislation that will pretty much see off the idea of universal public health care?

Which leads on to the next question; was Fox running a parallel foreign policy here, or was it merely convenient for a Prime Minister leading a coalition with the LibDems to have this stuff done at arms length? A Prime Minister who has also previously warned about the dangers of too much lobbying?

By resigning he is clearly hoping nobody will ask these questions, which must not be allowed to happen.

We are pretty cynical about our politicians in the country, and most people will probably just regard this as a scandal about personal financial gain and possible sexual high jinx.

When it comes to the Tories though, we are possibly not nearly cynical enough.

More on Atlantic Bridge and their Neocon links here.
Here's Greenpeace on ALEC and Climate Change denial.

Wednesday, 28 September 2011

What we did for Greece


So should we bail out the Greeks then?

Or rather should we bail out the banks who've got themselves in up to their necks in bad debt, a lot of it owed by Greece?

Well I guess it's a bit like the question of whether you should give your pocket money to the bully who's dangling you over a railway bridge. In principle no, but in practise....

What's interesting I find though is how little is being said about the debt we owe Greece. This I can only put down to the tragic decline in the study of the Classics in our schools.

The Romans conquered the known world thanks to their Classical education, and so before we sent out our sons and daughters to carve out an Empire we gave them a thorough grounding in Latin and Greek history. What else would a future District Commissioner in Utter Pradesh ever need?

An unintended blow back from this policy was that whenever things got a bit sticky at the bottom of the Balkans, we tended to side with the guys who spoke Greek.

It all started in 1821 when the Greek speakers, who'd carved out a nice role for themselves in the bureaucracy of the Ottoman Empire, launched one of their regular uprisings and for once actually made a bit of progress.

The revolt inspired the Classically educated Brits and so Romantics and demobbed officers from the Napoleonic Wars made their way over to the Peloponnese. Lord Byron went, and died shortly after arriving, and the rebel Greek Navy ended up being commanded by Lord Cochrane, a former Royal Navy officer and the model for Jack Aubrey from Master and Commander.

Many of those who went to help though ended up a little disappointed to find that they weren't standing shoulder to shoulder with modern Leonidas's. Instead of fighting to the last bullet, the rebels often as not didn't even fight to the first bullet, and battles often consisted of no more than just shouting insults from cover.

The climax was equally bizarre. Worried that imperial rival Russia was going to gain from the insurrection, a joint British and French fleet was sent to lend moral support to the Turks. Instead it ended up obliterating the Turkish fleet in an action that was the last to be fought purely by wooden sailing ships.

An independent Greece then emerged, and to show how independent they were they were given a Bavarian king. When they did a stock take they found a few things missing though, including the Parthenon Marbles, which had been given to Lord Elgin by the Turks just before they scarpered.

As a Balkan nation they took part in the confusing series of wars that eventually triggered the First World War. Greece was a late arrival in the conflict and for most of the war did very little. After the defeat in Gallipoli the British and Australian forces regrouped in Thessaloniki where they spent the next few years camped out in the sunshine in what must have been one of the easier postings of the conflict.

Greece then sent a delegation to the Versailles conference where they presented a grandiose vision of a Greater Greece, which included a huge chunk of what is now Asiatic Turkey. That there were very few Greeks in these new areas, and many of them were lukewarm about the idea, was overlooked by the British and French leaders. They were committed to dismantling the defeated Ottoman Empire and thought they may as well give as many of the bits as they could to Greece, and so the nation emerged from the war twice as big as it went in.

The new country didn't last very long though, thanks to Kemel Ataturk and resurgent Turkish nationalism, and Greece retreated back to its original borders.

However just as it appeared that modern forces were now sculpting the former Classical world, history repeated itself and Greece soon faced the return of an ancient foe: Rome.

Mussolini and the Italian King didn't agree on many things, but they both shared a low opinion of the Greeks. The Italian army, woefully prepared for war, crossed the Adriatic only to be soundly thrashed by the underrated Greek army and, just as in North Africa, Hitler had to send German troops to bail out his fellow dictator.

Churchill meanwhile was as romantically attached to Greece as Byron had been and sent the Eighth Army across from Africa to help. The intervention was a disaster and the British Army soon had to be rescued by the Royal Navy. Some, notably General von Manstein, have claimed that this diversion delayed Operation Barbarossa just enough to save Russia, but the evidence seems scanty. Others have point out that this diversion occurred just as we were about to kick the Italians out of Africa. This allowed Rommel and his tanks time to save the day and bat the Desert Rats all the way back to El Alamein.

Greece suffered far more under German and Italian occupation than it ever did under the Turks, and its a now nearly forgotten fact that the first shipment of food aid sent by Oxfam was to Greece, in defiance of the Allied blockade, although it didn't stop 100,000 people starving to death. All told eight percent of the population died, a million were homeless and a third of the nations wealth was destroyed.

The Greeks themselves fought back, with the most effective resistance fighters being the Communists. As the Russians advanced the Greeks then fought themselves with the Germans as bemused onlookers. The Communists gained the upper hand and with the Red Army on the way it looked like Greece would join the rest of Eastern Europe in the Soviet sphere of influence.

However Stalin didn't actually want Greece and so Churchill sent in British troops again, this time to fight the people he had described months before as "gallant guerrillas containing thirty enemy divisions" but who were now "the miserable Greek banditti". With the help of rearmed collaborator Security Battalions the EAM and ELAS were driven out of Athens and soon Greece was standing shoulder to shoulder with old enemy Turkey as a bulwark of NATO.

Indeed so keen was the west to save Greece for democracy that when a military dictatorship took power in 1967 it took Britain a whole 24 hours to decide that torturing fascists were better than Godless communists and agree to recognise the regime. In the end the Turks helped oust the Colonels, by delivering a stinging military defeat in Cyprus.

When democracy was restored the way was open to join the European Economic Community, as it was then called. Greece was soon at the heart of the European community of nations, and that's where the problems started.

Once again Greece was the victim of the kindness of its friends. Instead of a left leaning rural nation channelling the spirit of the ancient world, they saw in her an industrialised democracy with a neoliberal market economy waiting to burst forth.

Waived into the the Eurozone despite some distinctly non-neoliberal domestic policies, it took the Credit Crunch to reveal the ghastly mistake that had been made. Worse, rather than just letting the country go bankrupt, drop out and relaunch a devalued Drachma, which would allow them to offer cheap holidays and consumer goods to rebuild their economy, they are being forced to stay so that our banks won't go bust.

So we've sent them our Romantic poets and taken their marbles, failed to save them from the Nazis but rescued them from communism, ignored their foray into military dictatorship and allowed them to blag their way into a club they can't afford.

You could say that the West has been pretty good friends to Greece, but they might well reply that with friends like us, who needs enemies?